Tuesday, 10 November 2009

How do moral panics help form or fragment cultural identity. Compare or contrast 3 case studies.

A moral panic is the intensity of feeling expressed in a population about an issue which appears to be a threat to the social order. Moral panics can be addressed to many different issues such as paedopillia, war, disease, drug use and murder but these are just a few examples. The first time the term moral panic was presented was when a man called Jock Young used it as a reference to drug users in Notting Hill, and then by his colleague Stanley Cohan in the 1970s.

Moral panics can have a significant effect on the audience who hear about them, for example with a large usuage of drug use in Notting Hill, the area is being represented as an area where illegal mis-use of drugs is being taken place, giving it a bad name. Another example is the recent out break of swine flu, which was yet another moral panic, where a lot of people were being effected by the flu and made people 'panic'.
To an extent I do think that moral panics can help form or fragment cultural identity, as they do have a great deal of effect on a situation. For example if there was a sudden a high outbreak of teenage stabbings in a London, then the moral panic will bring out the conclusion that teenagers are uncontrolled and unruly thugs, which gives them this cultural identity.

Child abuse, Paedophillia and Raves are 3 types of moral panic, which the media will pick up on and trigger a 'panic' for the public which could ultimately end up with them looking at a certain culture differently. Paedophillia could be descirbed as a unique subject of moral panic, as it doesn't follow suit of the models of moral panics in that the process of moral panics goes along the lines of the problem emerges, is stereotyped and moralized about, experts are citied, new laws passed and the problem fades away, but paedophillia is unlikely to follow this as it is at a constant level compared to raves which does follow the model.

Paedophillia was first covered by the media in the 1980s and the term first came about, before the abusers would be known as beasts or monsters, but then during this time investigations realised that these people were to blaim for the organized abductions and murders of children. At this time the media stayed well away from the family and the child abducted or abused and very rarely had any coverage of them only the 'monster' who was being convicted, so at this point a moral panic wasn't as strong as it is today although this could be argued because we hear so much about these cases that its not really a moral panic in an extreame sense that children are locked in their homes or intense measures are made, unless we hear about an absolute extreame example. In 1988 child pornography became an official offence and the police created a child pornogrpahy squad, so the realisation of how much of a panic and threat paedophillia was had been established. The time in which paedophillia became an absolute moral panic and had a lot of media coverage was in 2000, the year Sarah Payne was sexually abused and murdered at just 8 years old. This crime triggered the coverage of paedophillia into more debt as it was an extreame example and certainly shocked the public most of the coverage was done by the News of the World who published a lot more on paedophillia and not just Sarah Paynes case, including a claim that parents have the right to know whether a sex offender lives in their area and the the act was named 'Sarah's law'. Eventually we have learnt to understand that paedophillia is a moral panic and should be taken extreamly serisouly, it changed a lot of ways today's society is look at and that its not a safe a place that it used to be, or atleast we know more about it.

Child abuse is similar to paedophillia in that it is related to the same kind of crimes in some cases (when its due to sexual abuse). Child abuse was appearing as the issue of the 'battered baby' syndrome in which pediatricians took notice, but it was not the doctors but the NSPCC that was needed to create a public awareness. Even then interest was only made between specialists until 1973, where a particular case was in extreame and so caught more attention. It was of a little girl called Maria Colwell and at just aged 7 her step-father beat her to death and was sentenced 8 years for it. A Sir Keith Joseph (minister for social security) kept the trial from recieveing a lot of coverage due to his favouring in a theory that inadequate parents produced inadequate children, which is called the 'Cycle of Deprivation theory' and later came to the conclusion that something had to be done about child abuse. Once the moral panic erupted the blame was put onto poor families and social workers, - the families because of the cycle of deprivation theory, and the social workers because the public thought that they were unable to guarentee children's physical safety. The media tore apart social workers claiming that they should not have let these adults be parents at all. The moral panic layed particuarly at the social workers, and people were afraid to trust them thinking they weren't doing their job properly and no child was truly safe. Even though childcare practice was reformed and had far more detailed proceedures child abuse in constantly being brought up again and again (just like paedophillia) and the very recent cases of Baby P are just one example.

My last case study is raves which were founded in New York, Chicago and Detroit but were also imported into Britain in 1988 they were always located in remote places and organised very discretly from the police to stop from being caught. At the end of the 80s it was seen as one of the biggest youth subculture Britain had ever seen and they generated vast amounts of money. The moral panic behind these raves, were the amount of drugs that these young adults were consuming, including Ecstasy, Amphetamine and LSD, what made it turn into a moral panic was the papers picking up on the amount of drugs used and stated such statements like 'a facade for dealing in drugs' and 'a cynical attempt to trap young people into drug dependency under the guise of friendly popular events'. What the papers failed to recognise was that these raves were innocent in their own right, and it was just the drugs that the kind of people attending brought with them, that made it an out-rage and therefore turning it into a moral panic. Then to fuel the panic even further the death of an 18 year old called Leah Betts, was blaimed on the kind of goings on at these raves. Betts died of water intoxication whicch is primarily in this case down to the use of drugs, and of course the public were shocked by the death. Betts parents wrote an open letter to teens on the dangers of drugs and let out pictures of the state of their daughter. So at this point the course of a moral panic, is well under way and the next step was for experts to contribute to the model, in 1994 after huge media pressure the public order act (1994) enabled polive to arrest anyone who, held an event, was waiting for an event, or refused police instructions to leave a rave site. During most of the rave era the government didn't take much notice and didn't 'care' about what was happening at these raves and for a long period they were completely uncontrable, which changed the cultural identity as in officials were letting teenagers and young adults go and take drugs freely, they were also giving these people reputations of drug users, and anti-social people.

So now we have looked at all 3 case studies, and the difference and similarities between them all are vast. Child abuse and Raves tend to follow the models of moral panics, and seem to be sustainable but when it comes to paedophillia it doesn't. These moral panics have changed the cultural identity of certain individuals and groups of people, with paedophillia the culture in which we live in today is a different one to when it was 40 years ago, where children were free to roam the streets with out the worry of being kidnapped or molested by paedophiles where as now, we are much more concerned about our children's saftey as we know more about it due to press coverage down to the moral panic. Child abuse, it now a lot more acknowledged and has made a lot of differences for child minders, teachers, parents and in particular social workers, where the blame was put on for the excuses as to why these defenseless children hadn't been cared for before it go to the stage where in some extreame cases children were being killed due to abuse. Paedophillia and child abuse are in the same, as in that they are still continuing on now, and that they are very unfortunately constant compared to raves which either have stopped completely or aren't seen as a moral panic anymore.

Tuesday, 22 September 2009

Compare the versions of Britishness as represented in 'Sense and Sensibility' and 'Four Weddings and a Funeral'.

Compare the versions of Britishness as represented in 'Sense and Sensibility' and 'Four Weddings and a Funeral'.

These two films, Sense and Sensibility and Four Weddings and a Funeral are very much a typical pair of classic british media, they both star Hugh Grant who at the time of Four Weddings, was well and truly at the epic of his success. Sense and Sensibility isn't only as British as it comes, but the screen play was written by Emma Thompson who also stars in the film along with Kate Winslet who are both actresses who again and again creep up in the British films.

Although both films, are typically british they both portray this in complete different aspect but both concentrate on the same genre and subjects such as gender, romantism, and marriage. One and probably most obvious reason for this is because Sense and Sensibility is set in the 1800s where Four Weddings was set in the late 1980s/early 1990s.

With most period drama texts the main plot line is about marriage and love, and usually resolves around a typical young lady who is looking for her 'prince charming' and with most of these kind of films the way marriage is portraid for these women is in a way that they have no
other choice and that they are very much expected from others and for themselves that finding a man and settling down is the way of life. These women are also a bunch of goldiggers in a way, as the vast majority of women would marry into a fortune, as it was made legal in that time that the heritage left by the parents etc.. was only past down to the male generation. So in this time marriage was like the safety net.

This is in complete contrast with Four Weddings and a Funeral where the idea of marriage is a seen to be something that isn't so important and women don't rely on marriage as much. In Sense and Sensibility it is expected of you to be married, where as in Four Weddings it really isn't, women have careers and jobs they can be independent and live without the help of a man and infact marriage in this film is a sign of desperation. Another very key point is that in Four Weddings there is infact a gay marriage which would not happen at all in Sense and Sensibility, another factor is that a couple have a baby without actually getting married which is something that wouldn't happen at all in Sense and Sensibility.

These factors both show how the idea of Britishness has changed in just a hundred y
ears, and how much culture and how we percieve it has changed. In the 1800s marriage was the key success to any women, you marry into a rich family and you are set for life, and no one disapproves of it they are congratulated for their success in marrying a good suitor for themselves. Where as in the 1990s marriage is seen to be a trap, something that couples who have run there course in their relationship and need to go to the next step so marriage must be the only option and a quote which goes along the lines of 'couples only get married because they have run out of things to say' is a key judgement of this film.


CASE STUDY: Comparison of Slumdog Millionaire and Somerstown.

Slumdog Millionaire -

Directors: Danny Boyle Loveleen Tandan
Writers: Simon Beaufoy (screenplay)
Vikas Swarup (novel)
Release Date: 9 January 2009 (UK)
Genre: Crime Drama Romance


Somerstown -

Director: Shane Meadows
Writer: Paul Fraser
Release Date: 22 August 2008
Genre: Comedy Drama


Slumdog Millionaire was one of the most substantual films of 2009 and was a great success for director Danny Boyle who also directed Trainspotting, Danny Boyle is an english director and Trainspotting is undeniably British, this leads me to believe that Slumdog Millionaire is a British film even thought it had multi-national actors and was filmed in India. It was funded by the British film industry and was directed by a British director.
This is vastly compared to Somerstown which is British British British through out, with its grittyness and Britsh setting and actors, including Thomas Turgoose.



Tuesday, 15 September 2009

British Film Presentation..

As part of our summer homework we were asked to make a presentation about a British film made after 2006.. in my group we decided to look at Atonement with Keria Knightley and James McAvoy.
I will put screen caps of the presentation up.

Hays Code..

What is it?
The Hays code was used between 1930 and 1966, to create rules and guidelines for film producers. It was also named the Motion Picture Production Code.

The principles of the code stated that moral standards should not be lower than those who view it, and the audience shouldn't be pushed into the same side as the crime or wrong doing in the film.

C.A.G.E analysis of Bend It Like Beckham.

In a lesson before we broke up for the summer holidays, we watched a very typical British Film called Bend It Like Beckham. The film is about a female football player who goes on to play for a local football in the middle of London against the will of her family, at the end of the film she goes onto get a scholarship with a top class womens american football team (soccor), along with her newly made mate Jools. Its stars Keira Knightley (before the days of 'Pirates of the Carribean' and 'Pride and Prejudice') and Parminder Nagra.

CLASS- Families in the film are of similar classes as we can see from the size of the houses and the mis-en-scene within the homes.

AGE- The youth have very different values to their parents, for example both parents don't believe in girls playing football they still believe it is a mens sport. Also parents wear traditional clothes which their jobs and religion require whereas the youth wear what they want to e.g. football kits. The youth have more diverse values.

GENDER- There are gender issues between the girls and boys as football is seen as a male dominated sport however in this film it is the girls that pursue it as theirs.

ETHNICITY- The ethnicity is up to date and shows a white culture with an asian family. The youth get on fine however there is an atmosphere between the parents towards the other culture. Jules' mother is very uneasy when talking to Jessminda and Jessmindas parents are very disgusted that Jess had apparently been seen with a 'White boy'.

Monday, 13 July 2009

Michael Caine - CASE STUDY

Birth Name: Maurice Joseph Micklewhite

Date of Birth: 14 March 1933

Born: Rotherhithe, London, England, UK

Michael Caine was the son of a fish-market porter and a charlady. He left school at 15 and took a series of working-class jobs before joining the British army and serving in Korea during the Korean War, where he saw combat. Upon his return to England he gravitated toward the theater and got a job as an assistant stage manager. He adopted the name of Caine on the advice of his agent, taking it from a marquee that advertisedThe Caine Mutiny (1954).

Owns his own film production company.

At the Academy Awards ceremony he won best supporting actor for
Hannah and Her Sisters (1986)

Zulu (1964), the 1964 epic retelling of a historic 19th-century battle in South Africa between British soldiers and Zulu warriors, brought Caine to international attention. Instead of being typecast as a low-ranking Cockney soldier, he played a snobbish, aristocratic officer. Although "Zulu" was a major success, it was the role of Harry Palmer in
The Ipcress File (1965) and the title role in Alfie (1966) that made Caine a star of the first magnitude. He epitomized the new breed of actor in mid-'60s England, the working-class bloke with glasses and a down-home accent.

Working Title Films

- Working Title Films, is a British production
- Based in London
- Founded by Tim Bevan and Sarah Radcliffe
- Produces TV feature length films
- Eric Fellner is a co-owner of the company

Films from Working Title Films..
About A Boy,
Billy Elliot,
The Boat That Rocked,
Johnny English,
Elizabeth: The Golden Age,
Wimbledon,
Atonement,
Four Weddings And A Funeral..

Monday, 22 June 2009

22nd June. Double lesson with Mrs Baird

For the first part of our double lesson today we looked at Saturday Night, Sunday morning and analysing What is the version of 'Britishness' being presented in the film? and we came up with
- Gritty, industrial 1970s Northern England
- Classic factory workers, with terraced housing
- Coal minors, not a whole lot of money floating around
- Working class
- Rejection of certain dominent moral values of time
- Realism - a view of Britain at the time
- Realist techniques e.g camera work
- Mise-En-Scene, typical industrialised town setting
- Different family model
We then continued on to discuss how diverse it is from the 70s to now and how it was more acceptable for a 25 year to live at home, but now it is sort of considered to be not the 'right' thing to do. And after a certain age, you are seen to be past your time and that leaving the 'nest' is harder.

For the second part of the double, we looked at blogs from other insitutions. A couple of examples were Longroad.com and Aberystwyth University. We asked question, How are these web pages constructed? we looked at colours, text, graphics, content etc..

Monday, 15 June 2009

Start of A2...

Today was our first day back to school after exams and study leave..all set for A2. Had double media with Mrs Baird, and we're looking at what makes us british in media context and British Film!!

Thursday, 16 April 2009

The Outsider - Evaluation

For my final piece of media, in a group of 2 I created a 2 minute piece to show the start of a film. My group was just myself and
Lucy Ballance, we decided on the genre of a tense and exciting thriller, with a twist of lust and murder as we thought this would
be the most fun and easier to conduct the Mise-En-Scene. Our plot was of a young man who is a serial killer, and his victims being
his helpless girlfriends. He preys on his victims, moving in with them treating them as any other boyfriend would then all of a
sudden on a 'dark eery night', he brutally murders them.
To start the whole process we firstly came up with the genre, and mind maped it to come up with every possible story or type of
direction we wanted to go with, once having the brief idea in our heads we made a story board, wrote up a plot, a pitch and a
synopsis ready to present to Miss Cate and Mrs Parish in a 15 minute briefing, and once we had the go ahead we was given
permission to have a camera and tripod. We filmed the majority of the piece at Lucy's house, as she had the classic village-
looking house with a huge wooden door and ivy all over the face of the house with is great connotations of a mystery murder type
setting we was hoping to go for. So we had our set, our camera, actors and idea, we was set to go. We used just 3 actors, Lucy -
one of Dave's victims and Thom who was to play 'Dave' our serial killer and Alice who was to play our 'Innocent Outsider', on the
day of filming we started quite late into the evening as we wanted it to be dark outside to go along with the plot, and to make it
feel as extra eery for the viewers.The first problem that occurred to us on the day of filming was that the camera was out of battery so out came extension lead after
extension lead so we could plug the camera into the mains to keep it going. After that we did have a few problems with filming,
we knew the camera angles we wanted to use, and what we wanted to film, but when it came to actually filming we found that the
camera angles and the way we wanted to make it look didn't really come out as expected so the scene where thom attacks Lucy
had to be changed, instead of Thom's character 'Dave' coming up behind Lucy and attacking her, with the camera shot being a
close up of him with the mobile in his hand, we made it so the mobile was on the side board and Thom simply walked closer into
the frame, instead of us zooming in on him. But apart from that small scene we were able to do as we wanted. It was just the matter
of getting it looking as professional and smooth as we could make it, it all lasted a couple of hours, and done take after take so
we had lots to work with when editing. The type of camera shots we used were, long shot along with panning for when we had
Lucy cycling into the drive way, and from in the kitchen looking out of the window to see her walking past. Over the shoulder for
when Lucy is walking through the door of the garden and also when she's walking from the kitchen into the living room. Medium
shot, extreme close-up and close-up - for these shots we used the close-up and extreme close-up to exaggerate certain
conventions within a scene such as the mobile phone, and Lucy's expression to make it more tense and keep the timing of it as
paced as we could so we built up the tension leading to the attack scene. To show this more accurately we marked on a
storyboard Lucy and I drew to show the different shots and sections of the short film, there were 24 in all, which can be seen on
my blog. Although the filming went okay, when it came down to editing we found that some of the shots (even after being edited) just
didn't work, the plot of the film was very confusing and was hard to understand. So we had to make some big changes. Our
original idea was to have the killer walking out of the house, pretending to be Lucy to trick the watching 'Outsider' but when we
saw this it was too unclear so we had to cut that whole part out and we ended up with cutting the last scene into the attack in a
sort of freeze frame shot. We also wanted an ending where we would have subtitles after the action, just like they did in the James
Bond films, and our original idea was to have the titles in newspaper format, but we decided against this and had them just as a
plain black background with music which gave a great effect to add to the tension of the start of the film.
Over all the look we wanted for the film, was a typical horror/thriller which would be aimed at adults or older teenagers so
definitely the 15 certificate. We wanted it to be that typical movie, that young adults go on for first dates, or something the lads
could go and see or the girls could go and squeal to their hearts content at, its most definitely not aimed at smaller children. So
that's what kind of audience we wanted the film to be aimed at, nothing to be taken too seriously but also scary enough so you
don't sleep in the dark for a few days, and watch your back. Something to give you a chill. Although in those type of films, they
are about teenagers themselves, like the typical 'I know what you did last summer' but our film was based around characters
slightly older, and in relationships ready to settle down maybe, which can be seen as a juxtaposition. The piece is a post
modernist piece also, because you wouldn't say imagine your Grandma or Grandad going to see a film, about their physco
boyfriend hacking the life out of his girlfriend. The kind of institution that would probably distribute our film, would be a institution that does very over-the-top, very publicized,
big up the movie that probably isn't as great as the trailer you see, it looks great from out side the box but once you get in, it isn't
as great..and has been done a hundred times before. It's just a bit of freaky fun. So fairly big institutions which don't mind
spending a bit of money on a profitless, not awarding winning films like 'The Outsider' would probably distribute the film. I think
its like this with a lot horror films, such as The Ring, Disturbia, The Haunting In Connecticut, every year at least a chilling horror
comes out, but never really gets much recognition, and hardly has any major film stars set as the cast. We used the idea of having the action right at the beginning of the film to draw the audience in straight away, if the audience
know its going to be a horror movie then, with an action piece right from the start should have them hooked. Unlike a lot of horror
movies which build up, we had our action right from the beginning, not only to create tension but to get them wondering what was
going to happen in the rest of the film, and to get them asking the question why?.Looking back at my preliminary task, I think I've learnt with my partner Lucy is to take it all more seriously, and to take it slowly
and not to rush just to get it finished. With a bit of tender loving care we changed our rubbish piece into something actually
watchable, after editing and some worth while critique from our peers such as fixing some scene layout and a inevitable plot.
Word Count : 1369
Film Link :
http://www.youtube.com/watch?v=fYQSmNJSb-o

Thursday, 15 January 2009

15th January 2009

Today me and lucy finally managed to start editing our short film, as the day we wanted to do it we had to go about finding a camera to upload the film, and that took the past part of 2 hrs. But we then uploading our film, and as I said started editing today. We got through quite a bit, we cut it so it all runs together and looks as professional as we could make it. In the next few lessons we plan to add music to it, and make it look even better. We also came across a problem, for our original film we wanted to use a different ending, but it didn't turn out so well, so we're going to have to change it. We also found that the film isnt long enough at jst 1.37 so we are now using our time to come up with a better ending, which we then will propose to our teachers and if even permission we will re-shoot the end.

Thursday, 8 January 2009

8th January 2009

Today we had a lesson with Mr Eve, Lucy and I were supposed to be uploading our film from our DV tape, but as we forgot to bring the tape with us we are having to update our blogs. We plan to upload and edit our film on January 12th, in Mrs Bairds lesson.