Tuesday, 22 September 2009

Compare the versions of Britishness as represented in 'Sense and Sensibility' and 'Four Weddings and a Funeral'.

Compare the versions of Britishness as represented in 'Sense and Sensibility' and 'Four Weddings and a Funeral'.

These two films, Sense and Sensibility and Four Weddings and a Funeral are very much a typical pair of classic british media, they both star Hugh Grant who at the time of Four Weddings, was well and truly at the epic of his success. Sense and Sensibility isn't only as British as it comes, but the screen play was written by Emma Thompson who also stars in the film along with Kate Winslet who are both actresses who again and again creep up in the British films.

Although both films, are typically british they both portray this in complete different aspect but both concentrate on the same genre and subjects such as gender, romantism, and marriage. One and probably most obvious reason for this is because Sense and Sensibility is set in the 1800s where Four Weddings was set in the late 1980s/early 1990s.

With most period drama texts the main plot line is about marriage and love, and usually resolves around a typical young lady who is looking for her 'prince charming' and with most of these kind of films the way marriage is portraid for these women is in a way that they have no
other choice and that they are very much expected from others and for themselves that finding a man and settling down is the way of life. These women are also a bunch of goldiggers in a way, as the vast majority of women would marry into a fortune, as it was made legal in that time that the heritage left by the parents etc.. was only past down to the male generation. So in this time marriage was like the safety net.

This is in complete contrast with Four Weddings and a Funeral where the idea of marriage is a seen to be something that isn't so important and women don't rely on marriage as much. In Sense and Sensibility it is expected of you to be married, where as in Four Weddings it really isn't, women have careers and jobs they can be independent and live without the help of a man and infact marriage in this film is a sign of desperation. Another very key point is that in Four Weddings there is infact a gay marriage which would not happen at all in Sense and Sensibility, another factor is that a couple have a baby without actually getting married which is something that wouldn't happen at all in Sense and Sensibility.

These factors both show how the idea of Britishness has changed in just a hundred y
ears, and how much culture and how we percieve it has changed. In the 1800s marriage was the key success to any women, you marry into a rich family and you are set for life, and no one disapproves of it they are congratulated for their success in marrying a good suitor for themselves. Where as in the 1990s marriage is seen to be a trap, something that couples who have run there course in their relationship and need to go to the next step so marriage must be the only option and a quote which goes along the lines of 'couples only get married because they have run out of things to say' is a key judgement of this film.


CASE STUDY: Comparison of Slumdog Millionaire and Somerstown.

Slumdog Millionaire -

Directors: Danny Boyle Loveleen Tandan
Writers: Simon Beaufoy (screenplay)
Vikas Swarup (novel)
Release Date: 9 January 2009 (UK)
Genre: Crime Drama Romance


Somerstown -

Director: Shane Meadows
Writer: Paul Fraser
Release Date: 22 August 2008
Genre: Comedy Drama


Slumdog Millionaire was one of the most substantual films of 2009 and was a great success for director Danny Boyle who also directed Trainspotting, Danny Boyle is an english director and Trainspotting is undeniably British, this leads me to believe that Slumdog Millionaire is a British film even thought it had multi-national actors and was filmed in India. It was funded by the British film industry and was directed by a British director.
This is vastly compared to Somerstown which is British British British through out, with its grittyness and Britsh setting and actors, including Thomas Turgoose.



Tuesday, 15 September 2009

British Film Presentation..

As part of our summer homework we were asked to make a presentation about a British film made after 2006.. in my group we decided to look at Atonement with Keria Knightley and James McAvoy.
I will put screen caps of the presentation up.

Hays Code..

What is it?
The Hays code was used between 1930 and 1966, to create rules and guidelines for film producers. It was also named the Motion Picture Production Code.

The principles of the code stated that moral standards should not be lower than those who view it, and the audience shouldn't be pushed into the same side as the crime or wrong doing in the film.

C.A.G.E analysis of Bend It Like Beckham.

In a lesson before we broke up for the summer holidays, we watched a very typical British Film called Bend It Like Beckham. The film is about a female football player who goes on to play for a local football in the middle of London against the will of her family, at the end of the film she goes onto get a scholarship with a top class womens american football team (soccor), along with her newly made mate Jools. Its stars Keira Knightley (before the days of 'Pirates of the Carribean' and 'Pride and Prejudice') and Parminder Nagra.

CLASS- Families in the film are of similar classes as we can see from the size of the houses and the mis-en-scene within the homes.

AGE- The youth have very different values to their parents, for example both parents don't believe in girls playing football they still believe it is a mens sport. Also parents wear traditional clothes which their jobs and religion require whereas the youth wear what they want to e.g. football kits. The youth have more diverse values.

GENDER- There are gender issues between the girls and boys as football is seen as a male dominated sport however in this film it is the girls that pursue it as theirs.

ETHNICITY- The ethnicity is up to date and shows a white culture with an asian family. The youth get on fine however there is an atmosphere between the parents towards the other culture. Jules' mother is very uneasy when talking to Jessminda and Jessmindas parents are very disgusted that Jess had apparently been seen with a 'White boy'.